Superdecision, 2025

Are our choices in superposition—existing in all possible states at once—until we act?

Superdecision explores quantum mechanics as a metaphor for personal decision-making, inviting audiences to reflect on the experience of uncertainty. Inspired by his residency with the Atom Interferometry Observatory Network (AION) and drawing on his background in neuroscience, Woodham blends cutting-edge quantum research with human introspection.

At the heart of quantum mechanics is the concept of superposition, where particles can exist in multiple states at once—like being in two places simultaneously – until, that is, they are observed, forcing them to “decide” on one. This idea is central to the wave-particle duality of light, where light behaves as either waves or particles, depending on how it is observed. This tension between uncertainty and coherence in both human experience and quantum physics inspired Superdecision, highlighting the connection between the scientific, emotional and philosophical dimensions of choice.

You are invited to sit and reflect on a moment of personal uncertainty while being guided by Superdecision. As you do, you enter a symbolic state of superposition, where all possibilities coexist. You will first witness a traditional coin toss, followed by a unique version where the coin hovers in delicate suspension, allowing both sides to be seen simultaneously through the “split view periscope” before your decision is made.

At the top of the installation, phosphorescent particles of strontium aluminate representing an ‘atom cloud’, grounds the work in its scientific and technological roots. The work reflects the principles of atom interferometry, which uses laser-cooled strontium atoms to measure tiny distances in space to study phenomena like gravitational waves and explore the nature of dark matter. Superdecision therefore invites both emotional and intellectual engagement with the mysteries of science, technology and the human condition.

The installation is crafted from stainless steel and brass, chosen to resemble gold-plated copper used in quantum technology, and draws inspiration from the design of quantum computers, which use the principle of superposition to solve problems much faster than traditional computers. Woodham’s conversations with scientists during his residency revealed striking parallels between scientific problem-solving and the creative process of artists, both of which embrace ambiguity, confusion, and uncertainty as pathways to discovery.

Credits

Created in collaboration with the Atom Interferometry Observatory Network (AION) at the University of Oxford and Imperial College London, University of Nottingham’s Gravity Laboratory and ARTlab Nottingham, with contributions from several physicists at these institutions. Woodham further thanks Noémie Soula, Steven Lawton and Shobita Bhumbra.

Stainless steel, brass, 3D prints, acrylic, electronics, hardware

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Every Part

Interactive artwork commissioned by Nottingham Trent University to launch their new flagship Design & Digital Arts building in Nottingham city centre. 

Every Part is an interactive, real-time digital artwork, in which the audience participates to generate novel dynamics in an emergent system. The artwork is an extended ‘reaction-diffusion system’, which produces ‘Turing patterns’, due to their origin in Alan Turing’s 1952 article “The Chemical Basis of Morphogenesis”. In this article, he describes how patterns in nature such as spirals, spots and stripes arise naturally from a uniform state.  Here, we have developed the system to vary within defined ‘Voronoi cells’, which are controlled by independent players in a multi-player canvas.

The audience becomes  part of the system, with their ‘individual differences’ contributing to a global composition of dynamics and patterns. The result is an unpredictable system in flux; microscopic cells absorbing and emitting, a battle between a bacteria and phagocyte, primordial entities in a nutrient-rich soup communing with molecular waves.  The work is inspired by the possible emergences enabled by the D&DA building, through dynamic relationships between students, researchers and a space rich in resources. The project aims to create a simulated world of organisms with unpredictable and stimulating results, rewarding ‘tuning in’, with patience and delicate interaction.

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CRYPTID – Joey Holder

Lighting intervention, sequencing & video design for Joey Holder for a solo show at Two Queens, Leicester and Art Basel, Paris 2023. 

Two Queens: Synchronised 2ch video, 4ch audio, 8ch lighting – custom firmware with ESP32

Art Basel: Synchronised 6ch video & 2ch audio

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Vibrant Matters at the V&A Museum

Exhibition for Digital Design Weekend. Interactive installation of dynamic artificial entities.

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Conditions – RCA 2023

Conditions Documentation
1/4 videos
1
Morphodynamic Regulator
Morphodynamic Regulator
01:17
2
Emergent Forms
Emergent Forms
00:48
3
Chaotic Anemometers
Chaotic Anemometers
00:26
4
Overview
Overview
02:36

This project was created at The Royal College of Art as part of my MA in Information Experience Design, 2022-2023. View the RCA project page here. 

Conditions is a network of installations with multiple channels of interconnection. The work oscillates between constructed and emergent, object and process, animate and inanimate, and natural and artificial. The machines see and communicate with each other, and their behaviour is both controlled and unpredictable. The apparatus interface with some of the core processual dynamics of complexity science, which is the study of how individual components interact to form complex, often unpredictable, systems. These processes include self-organisation and emergence and chaos: the same processes that underpin life.

LiDAR sensors measure audience proximity to the installations where, at a certain distance, audience members can stimulate specific conditions for the machines to operate far-from-equilibrium, a term which describes the constantly changing dynamics of natural phenomena in complex systems.

The work explores the complicated relationship between humans and nature, and favours systems thinking in which humans are integrated within the natural world. Through integrating dualisms and presenting tensions between untamed and contained numerosity, the work aims to expose the structures and biases that have separated humans from nature. The vessels enclosing natural processes suggest frictions between control and chaos, and the human endeavour to represent, encapsulate and isolate natural phenomena. Every experiment, action and observation has an effect – even admiration can yield unintended consequences – therefore, by adopting a bottom-up, systems approach Conditions ask audiences to attune to underlying processes and interact with the world through fluid perception and responsible mediation.

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Illuminar

In the late 20th century, near the port city of Tarragona in the Balearic sea, an underwater research expedition uncovered a shipwreck containing preserved manuscripts from Catalan scholars estimated to date between the 14th to 16th centuries. While the origin of the scripture is unknown, historians have found a semblance to writings by the 14th century philosopher Ramon Lull. The scripture referenced construction plans for an omnicognizant orrery with an unprecedented sophistication.  In design reminiscent of the Antikythera, this analogue computer became a significant research problem for the following decade. 

The research uncovered a startling breakthrough; previously inexplicable scripture from other mechanical thought systems could be understood, and even appears to allude to this device defined many centuries later. The earliest discovery to date is within the mediaeval Zairja, although some researchers suggest to have found evidence as far back as the palaeolithic era in mesopotamia. This has led some scholars to claim the device reveals a semantic universality. Within the field semantic enrichment, it is of great contention how these plans have transcribed history, with a faction even suggesting ancient extra-terrestrial interference.

Contributing to this mystery, the computations described pertain to a processing complexity in-executable at any time in history. The construction of the machine has only recently become possible due to advancements in microcontroller technology and machine learning within the previous five years. 

Throughout their semantic enrichment research, Benjamin Shirley-Quirk and Matthew Woodham have sought to resolve epistemic uncertainty. Due to this discovery, and recent developments in the field, they have dedicated the last two years to interpreting the mysterious blueprints, building a prototype of this machine and analysing the verisimilitude of the meanings and predictions generated by its mechanism.

Supported by Artcore & New Midland Group's 'Collaborative Project Bursary' in 2019

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